INDIA-BHUTAN CULTURAL EXCHANGE AND ART CAMP
The India-Bhutan Cultural Exchange and Art Camp is a unique platform for artists of India and Bhutan to learn about each other’s culture through interaction and artistic collaboration over the span of ten days in each other’s country; first five days in Bhutan and the other five in India.
During the Art Camp, Indian and Bhutanese artists -- five from each country -- will engage, interact, and take inspiration from their discussions and environment to produce artwork resulting from the experience. The artwork thus produced would then be exhibited and promoted as a joint effort between the two countries in the field of arts.
The programme aims to build cultural awareness and positive cultural relations between the two countries by providing a common platform for artists to come together, interact, get inspired and thus expand the scope of their own art form. The exchange of ideas during artistic collaboration will not only stimulate the creative environment but will also help in maintain a continuous and harmonious interaction required between countries, thus strengthening the existing, uniquely close and mutually beneficial relationship between the two countries.
India and Bhutan share cultural lineage and hence this programme is also a wonderful opportunity for the artists to rediscover a shared history and a chance to work upon a shared vision for the future. The artwork they produce could further be used as inspiration for aspiring artists and also serve as an example for bilateral efforts in the field of arts.
Indian-Bhutan Cultural Exchange and Art Camp 2016:
The first India-Bhutan Cultural Exchange and Art Camp was held in 2016 from 14th to 18th June, in Paro, Bhutan. The Indian half of the Art Camp will be held in Delhi from 2nd to 9th February 2017.
Five established contemporary artists from each country have been selected to participate in the Art CampIndian Artists:
In 1992, GR Iranna acquired his Bachelor of Fine Arts Degree from the College of Visual Art, in Gulbarga. Two years later, he got his Master`s degree in painting from the College of Art, New Delhi. Between 1999 and 2000 he acted as artist-inresidence at Wimbledon School of Art, London.
Iranna`s first one-man show was held in 1992 at the College of Visual Art, Gulbarga. Since then, he has shown at: Delhi Art Gallery and Jehangir Art Gallery, Mumbai in 1995; Gallery Espace, New Delhi in 1998; `In the Shadow of Buddha` at Gallery Martini, Hong Kong in 1999; Wimbledon School of Art, London in 2000; Maulana Azad Centre for Indian Culture, Cairo in 2000 and The British Council & The Guild Art Gallery in 2001. Iranna has also participated in several group shows including at the Chitra Kala Parishad, Bangalore in 1990; Schoo`s Gallery, Amsterdam, Holland in 1995; Vedanta Art Gallery, Chicago, U.S.A. in 1998; `Icons of the Millennium` at Gallery Lakeeren, Mumbai in 1999 and `Black & White` at Art Today, New Delhi in 2000.
Iranna has received national and international recognition throughout his career. His awards include those at the All India Exhibition in Mysore and the College of Visual Art, New Delhi in 1992-92, the Bansi Parmimu Memorial Committee, New Delhi and the Delhi College of Art in 1993. In the same year, he won the MF Husain and Ram Kumar selection award at `In Search of Talent` by Vadhera Art Gallery, New Delhi. He has also been honoured in 1997 with a National Award from the Lalit Kala Academy and the AIFACS Award, at the show `50 years of Art in Independent India` in New Delhi.
Born 1953 in Wadwan, he received his Bachelor’s degree in Science and Law from Kashmir University and completed a five-year training in sculpture from the Institute of Music and Fine Arts in Srinagar in 1978. Over the years, Tiku has received many awards in recognition of his work. He received the National Award for Sculpture in 1993 and the 8th Triennial India (International) Award in 1994. In 1999, he was conferred with the distinction of being an “Eminent Artist” by Lalit Kala Akademy, the national academy for fine arts, New Delhi. In 2005, as part of international recognition, he received Pollock Krasner Foundation (New York) Grant for advanced work in sculpture. In 2013, he was bestowed with the Padamshree, the highest civil honour of India.
Tiku’s works have been exhibited all over the world for many years. He lives and works in his native state of Kashmir.
Reflecting the rapid changes of his environs—not just Gurgaon, but India as a whole—his work typically expresses the anxieties of displacement and alienation. Human progress collides with nature, humans with animals, the sacred with the profane. Panda disrupts these binaries, finding fertile ground where, as Yeats puts it, “the centre does not hold.”
His is no facile appropriation of tradition for the sake of irony. As gallerist Peter Nagy has put it, Panda is “one of the few artists of his generation who has been able to work with religious imagery,” for example, “without succumbing to the powerful trap of Kitsch.”
Born 1970 in Bhubaneshwar, Panda completed his B.F.A in sculpture at the B.K College of Arts and Crafts. He received an M.F.A in sculpture from the Royal College of Art, in London, and was also a visiting researcher at the Fukuoka University, in Japan. He has exhibited his work at many galleries and museums in Mumbai, London, New Delhi, Tokyo and London and Berlin. He has won India’s Lalit Kala Akademi Award and the All India Fine Arts and Crafts Society Award. He lives and works in New Delhi.
Shinde's canvases are his playground of free spirited application of paint laden with an emotive context. Though seemingly unplanned the artist is conscious and specific of the colors he chooses to let loose in his works, "The paint packed in the factory is detached – away from human emotions. But, while becoming a painting it goes through a process of attachment, taking life from the artist to live its own." The heavily textured and layered canvases are structured to a visual trajectory which speaks a language of non figurative symbols.
Born 1958 in Baroda, he completed his Diploma in Painting from MSU, Baroda. He has participated in various solo and group shows and exhibitions in Delhi and Hyderabad. He received the National Award for Painting in 1998 and the Gujarat State Lalit Kala Akademi Award in 1978.
His work is in the collection of the National Gallery of Modern Art, Delhi, the Lalit Kala Akademi, Delhi, and several private collections. Has held solo exhibitions of his work and participated in several group exhibitions. His work is in the collection of the National Gallery of Modern Art, Delhi, the Lalit Kala Akademi, Delhi, and several private collections. He lives and works in New Delhi.
The artist’s need to draw and hold his viewers’ attention is palpable in his varied use of painting, drawing, sculpture and video. With the help of these disparate genres he creates narratives that are gripping in content, even though they are composed of simple, commonplace elements. Thus Kamath’s forte ultimately lies in creating fantasies out of the ordinary.
Born 1972 in Mangalore, he completed his BFA from the Chamarajendra Academy of Visual Arts, Mysore (1989-1994) and was artist in residence at the School of Art & Design, University of Wales, Cardiff (2002).
Kamath has presented his work in numerous group shows and has been invited to participate in a number of curated exhibitions, both in India and overseas. He has been awarded with Charles Wallace Scholarship, UK. He lives and works in New Delhi.
In 1991 I won a scholarship from the British Government to study western art at the Kent Institute if Art and Design, Maidstone, University of Kent in England. I graduated with a first class Honors Degree in Communications Media (Design Pathway) in 1994. I continued working for the government and took an early retirement in 1997 to paint and founded VAST Bhutan with two other artists. Till date VAST has tutored and counseled more than 2000 young people ranging from delinquents, high school students to out of school youth.
I have acquired a wide range of experience in both styles and methods which can be instrumental in combining the rigorous and structured traditional style with more easily flowing / expressive form of contemporary art. This helps me to be mature in a direction that I am comfortable with and uniquely my own.
Bhutanese subjects and Buddhist iconography are my main themes with combination of modern and traditional techniques as I have an enduring fascination for textures, movements and many symbols in the Bhutanese culture. I have been exploring this aspect ranging from temple walls to spiritual horses that we see on prayer flags.
As a torch-bearer of Contemporary Art in Bhutan, I am fully engaged in dedicating myself to the issue of Bhutanese contemporary art and helping the youth of Bhutan. With full support and dedication from my students and fellow artists we would like to take Bhutanese art to new heights without compromising our age old traditional art.
My work frequently responds to and engages with traditional Bhutanese art and its religious themes. For example my art often explore Buddhist spiritualism, both its abstract intangible philosophies and its manifestations in everyday life such as symbols, personalities, practices and the human landscape of faith and beliefs. Much of my work attempts to re-imagine these Buddhist concepts, freeing them from their expected, familiar traditional contexts and allowing them to shift into new creative directions. A current preoccupation is how to artistically express and explore my own questions about the impermanent and illusionary nature of human life and existence.
My journey as an artist has enjoyed the dual blessing of being born in a nation like Bhutan, which has a strong, vibrant and colorful tradition of art and being involved since childhood with the Voluntary Artist Studio, Thimphu (VAST), where I have been constantly exposed to new artistic styles and traditions. VAST is more that just a art center or even a place to learn art--it’s a vibrant, inclusive community, which trains, supports, and inspires young contemporary Bhutanese artist like myself to create and explore. I am proud to be a founding member of VAST, proud of the accomplishments of my fellow VAST artist, and proud to have learnt under the pioneers. And finally, I am proud of my continued association with VAST as I help to teach and nurture a new group of promising young artists.
Contemporary art is relatively new in Bhutan and as a contemporary Bhutanese artist I recognize both the challenges and opportunities of this circumstance. We are still learning to understand and connect with new ways of expression. However, I see being part of the first wave of contemporary Bhutanese artist as an honor and I feel privileged to be among the first to re-imagine, re-shape particularly Bhutanese experiences, beliefs and landscapes without being overly influenced or limited by someone else’s interpretations. I hope every piece of work that I undertake has the potential for both myself and the viewer to interpret and represent our world with a fresh and untutored perspective. I know this is both an exciting opportunity and huge responsibility, both of which I embrace.
Later, as I passed out from the Primary school and joined the junior high school, color brushes and drawing books were very generously supplied by the Government and the passion started flowering. Every year the painting competitions use to be my favorite show and getting awarded was easy. Also the Award that I received in 1975 motivated me to paint more.
And in 1984 when I joined the Government Service I could buy the materials and paint my favorite subjects in the evenings or during weekends. Ultimately, after serving the government for more than 23 years I resigned in 2009 and perused my passion and in March 2012 I was able to open a small gallery in Thimphu and by 2013 I could expand my gallery further.
In short, what I mean is, I normally don't know what I am doing most of the time.